Auburn - Perfect Two

very2 nice song ... nice lyric ... everything is just nice about this song ... i think i'm in luv with this song ... :)

chill 

Sout Al Horeya

Cairokee - Helmy Ana

Etika Berpakaian Wanita Muslim

Surah al-Nur, ayat 31. Allah SWT berfirman yang bermaksud: "Dan katakanlah kepada perempuan-perempuan yang beriman supaya menyekat pandangan mereka (daripada memandang yang haram), dan memelihara kehormatan mereka; dan janganlah mereka memperlihatkan perhiasan tubuh mereka kecuali yang zahir daripadanya; dan hendaklah mereka menutup belahan leher bajunya dengan tudung kepala mereka..."

Colbie Caillat - I DO

have a nice day with this song yaa :)

Hikmah DIAM

Hadis-hadis Rasullulah mengenai kelebihan DIAM yang bermaksud:

“Barangsiapa yang banyak perkataannya, nescaya banyaklah silapnya. Barangsiapa yang banyak silapnya, nescaya banyaklah dosanya. Dan barangsiapa yang banyak dosanya, nescaya neraka lebih utama baginya”. (Riwayat ABU NAIM )

“Barangsiapa yang beriman kepada Allah dan Hari Akhirat, maka hendaklah ia berkata yang baik atau diam”.

( Riwayat BUKHARI & MUSLIM )

“Barangsiapa diam maka ia terlepas dari bahaya”.( Riwayat AT-TARMIZI )

Manusia tidak akan dapat mengalahkan syaitan kecuali dengan diam. Jalan yang terbaik ialah diam kalau kita tidak dapat bercakap ke arah perkara-perkara yang baik. Bicara yang baik adalah lambang hati yang baik dan bersih yang bergantung kepada kekuatan iman pada diri manusia.

Creative n Weird Fence

 kumpul sekampung baru leh penuh cam nih~!

sangat2 cantik ... i really2 luv this fence ... :)

ni ntOK yg budget lari leh wat cam nih...tampong selagi boleh ... janji creative :)

yg ni tauke bundel nya pagar umah...sekilo singgit :)

professional ski klo da bnyak sangat ski kt umah leh wat penoh2 cam nih ...gempak~!

kisah surah al-ikhlas

Berkata Ibu Abbas r.a. bahawa Rasulullah s.a.w. telah bersabda: “Ketika saya berisrak ke langit, maka saya telah melihat Arasy di atas 360,000 sendi dan jarak jauh antara satu sendi ke satu sendi ialah 300,000 tahun perjalanan, pada tiap-tiap sendi itu terdapat padang sahara sebanyak 12,000 dan luasnya setiap satu padang sahara itu seluas dari timur ke barat. Pada setiap padang sahara itu terdapat 80,000 malaikat yang mana kesemuanya membawa surah Al-Ikhlas (Qul huallahu ahad).”

Sabda Rasulullah s.a.w. lagi: “Setelah mereka (malaikat) selesai membaca surah tersebut, maka berkata mereka: ‘Wahai Tuhan kami, sesungguhnya pahala dari bacaan kami ini kami berikan kepada orang yang membaca surah Al-Ikhlas baik dianya lelaki mahupun perempuan’.” Apabila para sahabat mendengar keterangan dari Rasulullah s.a.w. maka mereka sangat kagum. Kemudian Rasulullah s.a.w. bersabda lagi: “Wahai para sahabatku, apakah kamu semua kagum?” Berkata para sahabat: “Ya, kami sungguh kagum ya Rasulullah s.a.w.”

Rasulullah s.a.w. bersabda: “Demi Allah yang jiwaku di tanganNya, sesungguhnya ‘Qul huallahu ahad’itu tertulis di sayap malaikat Jibril a.s, ‘Allahush shomad‘ itu tertulis di sayap malaikat Mikail a.s, ‘Lamyalid walam yuulad‘ tertulis pada sayap malaikat Maut, ‘Walam yakul lahu kufuwan ahad‘ tertulis pada sayap malaikat Israfil a.s. Oleh itu barangsiapa dari umatku yang membaca surah Al-Ikhlas maka dia diberi pahala membaca kitab Taurat, Injil, Zabur dan Al-Quran yang agung.”

Setelah Rasulullah s.a.w. berkata demikian, maka baginda bersabda lagi: “Wahai para sahabatku, pakah kamu semua kagum?” Maka berkata para sahabat: “Ya Rasulullah s.a.w. kami semua kagum.”

Lalu Rasulullah s.a.w. bersabda lagi: “Demi Allah yang jiwaku di tanganNya, sungguh ‘Qul huallahu ahad‘ tertulis di dahi Abu Bakar Ash-Siddiq, ‘Allahush shomad‘ itu tertulis di dahi Umar Al Faaruq, ‘Lamyalid walam yuulad‘ itu tertulis di dahi Uthman Dzan Nuuraini dan ‘Walam yakul lahu kufuwan ahad‘ itu tertulis pada dahi Ali Assakhiyyi r.a. Oleh itu sesiapa yang membaca surah Al-Ikhlas maka dia diberi Allah s.w.t pahala Abu Bakar, Umar, Uthman dan Ali r.a.”

sumber : http://syahirul.com/kisah-surah-al-ikhlas/

very2 funnny japanese guy

ni la video yg paling ak ska sangat ....

hahahahah~~~

very2 funny .... 

da gak manusia yg cam ni... 

chill~~;)

Black Eyed Peas - Just Can't Get Enough

Boy I think about it every night and day
I'm addicted wanna jump inside your love
I wouldn't wanna have it any other way
I'm addicted and I just can't get enough
I just can't get enough
I just can't get enough
I just can't get enough
I just can't get enough
Honey got a sexy all steamin
She givin hotness a new meanin
Perfection mama you gleamin
Inception you got a brother dreamin dreamin
Damn baby I'm feignin
I'm trynna holler at you, I'm screamin
Let me love you down this evenin
Love you love you ya you know you are my demon
Girl we could form a team and
I could be the king you could be the queen and
My mind's dirty and it don't need cleanin
I love you long time so you know the meanin
Oh baby I can't come down so please come help me out
You got me feelin high and I can't step off the cloud
And I just can't get enough
Boy I think about it every night and day
I'm addicted wanna jump inside your love
I wouldn't wanna have it any other way
I'm addicted and I just can't get enough
I just can't get enough
I just can't get enough
I just can't get enough
I just can't get enough
Honey got me runnin like I'm flow joe
Signs her name on my heart with an X-O
Love's so sweet got me vexed oh
I wanna wish it right back like presto, yes
Meantime I wait for the next time
She come around 'fore I toast to the best time
We all the while back and forth on the text line
She got me fishin for her love I confess I'm
Somethin bout her smile and that combo
Got me high and I ain't comin down yo
My heart's pumpin out louder than electro
She got me feelin like Mr. Roboto
Oh baby I can't come down so please come help me out
You got me feelin high and I can't step off the cloud
And I just can't get enough
Boy I think about it every night and day
I'm addicted wanna jump inside your love
I wouldn't wanna have it any other way
I'm addicted and I just can't get enough
*This is mega switch up*
I just can't
Not
Sunk in your bed rock
Caught
Up in your love shock
Knocked
Out by your cold shot
I'm stuck in your head li-
Can't get out won't when
Makin me feign, give it to me
I want it all, know what I mean
Your love is a dose of ecstasy
Addicted
I can't get
Away from
You
Afflicted
I need it
I'm missin
I want your lovin right next to me
And I can't
Erase ya out of my memory

BLIND

BLIND bukan cuma bisa BUTA di MATA tapi juga bisa dikatakan HATI kita yang BUTA ! BUTA akan KASIH untuk MENOLONG yang LEMAH! Jika kita masih mampu untuk MENOLONG lebih baik kita menolong ! oleh sebab itu , jika engkau mampu kenapa untuk TIDAK ? 
Thankyou kalau uda baca :)
Keep smile for tomorrow friend  

haish

pepagi buta mengupdate n mendecorate my blOg....feels sleepy but still nk tkar gak layout...;)

Love is BLIND (Cinta itu BUTA)

Kenapa sih orang-orang bilang CINTA ITU BUTA or LOVE IS BLIND?
ada yang tau gakkk ?
kalau gak tau ini gue kasi tauu !
Kenapa orang bilang CINTA ITU BUTA ?
Karna kalau orang bener mencintai seseorang DIA akan MERELAKAN SEGALANYA buat orang yang dia cintai ! kalau bener cinta , dia gak pandang FISIK ! ayooo dongg masuk ke hatinya ! kasi tanda ke dia kalaau LOE TU CINTA SAMA DIA !
itu dia arti dari LOVE IS BLIND ! GAK pandang FISIKK woyyy !
makanya CINTA itu butuh KETULUSAN HATI dan KEPERCAYAAN dari DUA PIHAK yang BERSANGKUTAN !
Thnkyou kalau uda baca
Kasi COMMENT yaa :)

LINK of My twitter

http://twitter.com/#!/CatherineeApril

My loveLy Twitter ♥

Follow my twitter if you want to know me :: @CatherineeApril :: Thnkyou if you already follow me . just mention i will follow back

Piano :D

 

The piano is founded on earlier technological innovations. The first string instruments with struck strings were the hammered dulcimers.^[2] During the Middle Ages, there were several attempts at creating stringed keyboard instruments with struck strings.^[3] By the 17th century, the mechanisms of keyboard instruments such as the clavichord and the harpsichord were well known. In a clavichord the strings are struck by tangents, while in a harpsichord they are plucked by quills. Centuries of work on the mechanism of the harpsichord in particular had shown the most effective ways to construct the case, soundboard, bridge, and keyboard.
The invention of the modern piano is credited to Bartolomeo Cristofori (1655–1731) of Padua, Italy, who was employed by Ferdinando de' Medici, Grand Prince of Tuscany, as the Keeper of the Instruments. He was an expert harpsichord maker and was well acquainted with the previous body of knowledge on stringed keyboard instruments. It is not known exactly when Cristofori first built a piano. An inventory made by his employers, the Medici family, indicates the existence of a piano by the year 1700; another document of doubtful authenticity indicates a date of 1698. A friend of the family by the name of Sebastian LeBlanc suggested the idea to switch the black and white keys^{[citation needed]} The three Cristofori pianos that survive today date from the 1720s.^[4][5]
While the clavichord allowed expressive control of volume and sustain, it was too quiet for large performances. The harpsichord produced a sufficiently loud sound, but had little expressive control over each note. The piano was likely formed as an attempt to combine loudness with control, avoiding the trade-offs of available instruments.
Cristofori's great success was solving, with no prior example, the fundamental mechanical problem of piano design: the hammer must strike the string, but not remain in contact with it (as a tangent remains in contact with a clavichord string) because this would dampen the sound. Moreover, the hammer must return to its rest position without bouncing violently, and it must be possible to repeat a note rapidly. Cristofori's piano action was a model for the many different approaches to piano actions that followed. Cristofori's early instruments were made with thin strings, and were much quieter than the modern piano—but compared to the clavichord (the only previous keyboard instrument capable of dynamic nuance via the keyboard) they were much louder and had more sustain.
Cristofori's new instrument remained relatively unknown until an Italian writer, Scipione Maffei, wrote an enthusiastic article about it (1711), including a diagram of the mechanism. This article was widely distributed, and most of the next generation of piano builders started their work because of reading it. One of these builders was Gottfried Silbermann, better known as an organ builder. Silbermann's pianos were virtually direct copies of Cristofori's, with one important addition: Silbermann invented the forerunner of the modern damper pedal, which lifts all the dampers from the strings at once.
Silbermann showed Johann Sebastian Bach one of his early instruments in the 1730s, but Bach did not like it at that time, claiming that the higher notes were too soft to allow a full dynamic range. Although this earned him some animosity from Silbermann, the criticism was apparently heeded. Bach did approve of a later instrument he saw in 1747, and even served as an agent in selling Silbermann's pianos.^[6]
Piano-making flourished during the late 18th century in the Viennese school, which included Johann Andreas Stein (who worked in Augsburg, Germany) and the Viennese makers Nannette Streicher (daughter of Stein) and Anton Walter. Viennese-style pianos were built with wood frames, two strings per note, and had leather-covered hammers. Some of these Viennese pianos had the opposite coloring of modern-day pianos; the natural keys were black and the accidental keys white.^[7] It was for such instruments that Wolfgang Amadeus Mozart composed his concertos and sonatas, and replicas of them are built today for use in authentic-instrument performance of his music. The pianos of Mozart's day had a softer, more ethereal tone than today's pianos or English pianos, with less sustaining power. The term fortepiano is nowadays often used to distinguish the 18th-century instrument from later pianos.

	Comparison of piano sound 19th century piano sound Frédéric Chopin's Étude Op. 25, No. 12, on an Erard piano made in 1851 Modern piano sound The same piece, on a modern piano
Problems listening to these files? See media help.

For more details on this topic, see Innovations in the piano.

In the period lasting from about 1790 to 1860, the Mozart-era piano underwent tremendous changes that led to the modern form of the instrument. This revolution was in response to a consistent preference by composers and pianists for a more powerful, sustained piano sound, and made possible by the ongoing Industrial Revolution with technological resources such as high-quality steel, called piano wire, for strings, and precision casting for the production of iron frames. Over time, the tonal range of the piano was also increased from the five octaves of Mozart's day to the 7¼ or more octaves found on modern pianos.

Broadwood square action

Early technological progress owed much to the firm of Broadwood. John Broadwood joined with another Scot, Robert Stodart, and a Dutchman, Americus Backers, to design a piano in the harpsichord case—the origin of the "grand". They achieved this in about 1777. They quickly gained a reputation for the splendour and powerful tone of their instruments, with Broadwood constructing ones that were progressively larger, louder, and more robustly constructed. They sent pianos to both Joseph Haydn and Ludwig van Beethoven, and were the first firm to build pianos with a range of more than five octaves: five octaves and a fifth during the 1790s, six octaves by 1810 (Beethoven used the extra notes in his later works), and seven octaves by 1820. The Viennese makers similarly followed these trends, however the two schools used different piano actions: Broadwoods were more robust, Viennese instruments were more sensitive.

Erard square action

By the 1820s, the center of innovation had shifted to Paris, where the Pleyel firm manufactured pianos used by Frédéric Chopin and the Érard firm manufactured those used by Franz Liszt. In 1821, Sébastien Érard invented the double escapement action, which incorporated a repetition lever (also called the balancier) that permitted a note to be repeated even if the key had not yet risen to its maximum vertical position. This facilitated rapid playing of repeated notes, and this musical device was pioneered by Liszt. When the invention became public, as revised by Henri Herz, the double escapement action gradually became standard in grand pianos, and is still incorporated into all grand pianos currently produced.
Other improvements of the mechanism included the use of felt hammer coverings instead of layered leather. Felt, which was first introduced by Henri Pape in 1826, was a more consistent material, permitting wider dynamic ranges as hammer weights and string tension increased. The sostenuto pedal (see below), invented in 1844 by Jean Louis Boisselot and improved by the Steinway firm in 1874, allowed a wider range of effects.
One of the major technical innovations that helped to create the sound of the modern piano was the use of a strong iron frame. Also called the "plate", the iron frame sits atop the soundboard, and serves as the primary bulwark against the force of string tension. The increased structural integrity of the iron frame allowed the use of thicker, tenser, and more numerous strings. In a modern grand the total string tension can exceed 20 tons. The single piece cast iron frame was patented in 1825 in Boston by Alpheus Babcock, combining the metal hitch pin plate (1821, claimed by Broadwood on behalf of Samuel Hervé) and resisting bars (Thom and Allen, 1820, but also claimed by Broadwood and Érard). Babcock later worked for the Chickering & Mackays firm who patented the first full iron frame for grand pianos in 1843. Composite forged metal frames were preferred by many European makers until the American system was fully adopted by the early 20th century.
Other important advances included changes to the way the piano was strung, such as the use of a "choir" of three strings rather than two for all but the lowest notes, and the implementation of an over-strung scale in which the strings are placed in two separate planes, each with its own bridge height. (This is also called "cross-stringing". Whereas earlier instruments' bass strings were a mere continuation of a single string plane, over-stringing placed the bass bridge behind and to the treble side of the tenor bridge area. This crossed the strings, with the bass strings in the higher plane.) This permitted a much narrower cabinet at the "nose" end of the piano, and optimized the transition from unwound tenor strings to the iron or copper-wrapped bass strings. Over-stringing was invented by Jean-Henri Pape during the 1820s, and first patented for use in grand pianos in the United States by Henry Steinway, Jr. in 1859.

Duplex scaling of an 1883 Steinway Model 'A'. From lower left to upper right: main sounding length of strings, treble bridge, duplex string length, duplex bar (nickel-plated bar parallel to bridge), hitchpins, plate strut with bearing bolt, plate hole.

Duplex scaling, patented in 1872 by Theodore Steinway, enhanced the voice of each note by using sympathetic vibration. Short lengths of non-speaking wire were bridged by the aliquot throughout much of upper range of the piano, always in locations that caused them to vibrate in conformity with their respective overtones—typically in doubled octaves and twelfths. Somewhat similar systems were developed by Blüthner (Aliquot stringing, 1873), as well as Taskin (1788), and Collard (1821). Each used more distinctly ringing, undamped vibrations to modify tone.
Some early pianos had shapes and designs that are no longer in use. The square piano (not truly square, but rectangular) was cross strung at an extremely acute angle above the hammers, with the keyboard set along the long side. This design is attributed to Gottfried Silbermann or Christian Ernst Friderici on the continent, and Johannes Zumpe or Harman Vietor in England, and it was improved by changes first introduced by Guillaume-Lebrecht Petzold in France and Alpheus Babcock in the United States. Square pianos were built in great numbers through the 1840s in Europe and the 1890s in America, and saw the most visible change of any type of piano: the iron-framed, over-strung squares manufactured by Steinway & Sons were more than two-and-a-half times the size of Zumpe's wood-framed instruments from a century before. Their overwhelming popularity was due to inexpensive construction and price, although their tone and performance were limited by narrow soundboards, simple actions and string spacing that made proper hammer alignment difficult.

The mechanism in upright pianos is perpendicular to the keys.

The tall, vertically strung upright grand was arranged like a grand set on end, with the soundboard and bridges above the keys, and tuning pins below them. The term was later revived by many manufacturers for advertising purposes. Giraffe, pyramid and lyre pianos were arranged in a somewhat similar fashion in evocatively shaped cases.
The very tall cabinet piano was introduced about 1805 and was built through the 1840s. It had strings arranged vertically on a continuous frame with bridges extended nearly to the floor, behind the keyboard and very large sticker action. The short cottage upright or pianino with vertical stringing, made popular by Robert Wornum around 1815, was built into the 20th century. They are informally called birdcage pianos because of their prominent damper mechanism. Pianinos were distinguished from the oblique, or diagonally strung upright made popular in France by Roller & Blanchet during the late 1820s. The tiny spinet upright was manufactured from the mid-1930s until recent times. The low position of the hammers required the use of a "drop action" to preserve a reasonable keyboard height.
Modern upright and grand pianos attained their present forms by the end of the 19th century. Improvements have been made in manufacturing processes, and many individual details of the instrument continue to receive attention.

Myland B)

Heyy all if you already open this blog . You must know me :D . I'm Catherine aprilia and i'm 12 yearsold :) . I'm a student I school at Methodist . I love music and piano players :D . My biggest fans is Kevin aprilio ♥ SuJu (Korean Boyband) i'm Vierrania too . If you vierrania or SuJu Fans just follow me attt :: @CatherineeApril :: Thnkyouu :* Mention i will follow back .
Thankyou alread open my blog

(Hug and Kiss)
Catherine Aprilia

My holiday :D

It's isn't my first holiday but it's my first time holiday at HONGKONG :D
 @DisneyLand (HK)

Twitter ♥

Haii all let's follow me if you want to know me :D Mention i will follow back . @CatherineeApril :) Thnkyou ☺

Wahai lelaki..jika benar kau kasih & cintakan wanita itu,jagalah dia dgn baik, kasihanilah dia,lindungilah dia,berilah kasih syg padanya,hargailah dia, ucapkan terima kasih atas kelebihannya, nasihatilah dia, bawalah dia ke jalan Allah, perbetulkan kesilapannya, bersabar dengannya, terimalah & cintailah kekurangannya, jadi imam terbaik & redhalah padanya..moga dia menunggumu di syurga sebagai bidadarimu..

Hero...

Mariah Carey... Tentu nama itu sudah tidak asing lagi bagi kita yang menyukai musik...

Mariah Carey adalah seorang penyanyi yang memiliki suara yang bagus... Selain menjadi penyanyi, ia juga menciptakan lagu-lagu... Banyak lagu-lagunya yang sudah menjadi hits...

Lagu-lagu Mariah Carey diantaranya adalah Bye Bye, Without You, When You Believe, Hero, We Belong Together, dan masih banyak lagi...

Lagu Mariah Carey yang paling saya sukai adalah "Hero"... Lagu tersebut sangat bagus..

Hero

There's a hero

If you look inside your heart

You don't have to be afraid

Of what you are

There's an answer

If you reach into your soul

And the sorrow that you know

Will melt away

And then a hero comes along

With the strength to carry on

And you cast your fears aside

And you know you can survive

So when you feel like hope is gone

Look inside you and be strong

And you finally see the truth

That a hero lies in you

It's a long road

And you face the world alone

No one reaches out a hand

For you to hold

You can find love

If you search within yourself

And the emptiness you felt

Will disappear

And then a hero comes along

With the strength to carry on

And you cast your fears aside

And you know you can survive

So when you feel like hope is gone

Look inside you and be strong

And you finally see the truth

That a hero lies in you

Oh no, Lord knows

Dreams are hard to follow

But don't let anyone

Tear them away

Hold on there will be tomorrow in time

You find the way

And then a hero comes along

With the strength to carry on

And you cast your fears aside

And you know you can survive

So when you feel like hope is gone

Look inside you and be strong

And you finally see the truth

That a hero lies in you...

That a hero lies in you...

Lirik lagu ini memiliki arti yang bisa menguatkan kita.. Bahwa kita tidak perlu takut dalam menjalani hidup, karena sebenarnya kita pasti mampu menjalani hidup... Jika kita sudah putus asa, kita harus bisa menguatkan diri kita sendiri.. Kita harus yakin bahwa ada pahlawan dalam diri kita... Ketika kita ingin meraih impian kita, kita pasti akan menghadapi berbagai masalah yang berat.. Tapi saat kita mau berusaha, tidak mudah menyerah, pada waktu yang tepat kita pasti bisa meraih impian kita... ^^

Glenn Fredly

Setelah membahas mengenai musik jazz, saat ini saya akan membahas mengenai penyanyi jazz.. Sudah cukup banyak penyanyi jazz d Indonesia.. Dan suaranya benar-benar memiliki ciri khas tersendiri..

Salah satu penyanyi jazz yang saya sukai adalah Glenn Fredly... Walaupun tidak semua lagu-lagu dalam albumnya termasuk lagu jazz, tapi suara Glenn Fredly tetap membuat saya tertarik.. Tentu kalian sudah mengetahui siapa Glenn, dan mungkin juga menyukai lagu-lagunya..

Glenn merupakan penyanyi yang memiliki karakter suara yang khas.. Dengan mendengar suaranya saja, tanpa melihat wajahnya, kita sudah mengetahui bahwa itu suara Glenn..

Glenn sudah memiliki cukup banyak album.. Dan lagu-lagu yang terdapat dalam album-albumnya sangat bagus...

Banyak lagu-lagu dari Glenn Fredly yang merupakan lagu favorit saya...

Glenn yang beragama Kristen, juga memiliki beberapa single duet dengan penyanyi-penyanyi rohani...

Salah satu lagu Glenn yang saya sukai adalah "Kasih Putih" pada album KEMBALI...

Kasih Putih

Terdalam yang pernah kurasa

Hasratku hanyalah untukmu

Terukir manis dalam renunganku

Jiwamu jiwaku menyatu

Biarkanlah kurasakan

Hangatnya sentuhan kasihmu

Bawa daku penuhiku

Berilah diriku

Kasih putih di hatiku

(Ku datang padamu kekasihku)

Kucurahkan isi jiwaku

Hanyutkan daku

Dalam air hidup

Kau bawa selamanya diriku

(peluk aku oh kasihku)

(taburiku dengan cinta)

Selain lagu ini, saya juga masih menyukai beberapa lagu dari Glenn, seperti Januari, Cukup Sudah, Terserah..

Buat Glenn Fredly, keren deh..^^

(Peluk aku oh kasihku)
(Taburiku dengan cinta)

(Kutemukan arti hidupku denganmu)

http://musiklib.org/Glenn_Fredly-Kasih_Putih-Lirik_Lagu.htm

(Peluk aku oh kasihku)
(Taburiku dengan cinta)

(Kutemukan arti hidupku denganmu)

http://musiklib.org/Glenn_Fredly-Kasih_Putih-Lirik_Lagu.htm

Nashrin - Fobia Cinta

Pijakan kaki bagai tak terasa
Setiap kali lihat kau tersenyum mesra
Tapi hati masih tak berani lagi
Menghampiri

Denyutan jantung aku tergendala
Kerana hati aku berkata-kata
Jangan terkena untuk kali kedua
Kan sengsara

Korus
Bukan aku tak sudi bersama
Cuma diri tak sanggup terluka
Dulu terlalu percaya
Tak sangka aku mangsa
Fobia cinta

Kini kau datang tawarkan segala
Bulan dan bintang seluruh angkasa
Namun aku masih ragu-ragu jua
Tak terima

(ulang korus)

Entah bila
Akan dapat percaya semula
Oh manusia yang kata
Cintai mereka
Adakah aku fobia cinta

(ulang korus)

Denyutan jantung aku tergendala

Syurga Berdasarkan AL-QURAN

Allah menciptakan perkara-perkara yang luar biasa indah dan nikmatnya kepada orang-orang yang bertakwa sehingga menurut Nabi Muhammad s.a.w. di syurga itu terdapat apa-apa yang belum pernah dilihat oleh mata dan didengar oleh telinga serta tidak pernah pula terlintas di hati manusia.


Berikut adalah beberapa ayat Al-Quran tentang kehebatan syurga Allah SWT yang sempat saya kumpul :


"Perumpamaan syurga  yang dijanjikan kepada orang-orang yang takwa ialah (seperti taman); mengalir  sungai-sungai di dalamnya; buahnya tak henti-henti sedang naungannya (demikian  pula). Itulah tempat kesudahan bagi orang-orang yang bertakwa, sedang tempat  kesudahan bagi orang-orang kafir ialah neraka." (Surah Ar-Ra'd; 35)


"Kedua syurga itu  mempunyai pohon-pohonan dan buah-buahan." (Surah Ar-Rahman; 48)


"Di dalam kedua syurga itu ada dua buah mata air yang mengalir." (Surah Ar-Rahman; 50)


"Di dalam kedua syurga itu terdapat segala macam buah-buahan yang  berpasangan." (Surah Ar-Rahman; 52)


"Mereka bertelekan di atas permadani yang sebelah dalamnya dari sutera. Dan  buah-buahan di kedua syurga itu dapat (dipetik) dari dekat." (Surah Ar-Rahman; 54)


"Di dalam syurga itu  ada bidadari-bidadari yang sopan menundukkan pandangannya, tidak pernah disentuh  oleh manusia sebelum mereka (penghuni-penghuni syurga yang menjadi suami  mereka), dan tidak pula oleh jin." (Surah Ar-Rahman; 56)


"Di dalam kedua syurga itu ada dua buah mata air yang  memancar." (Surah Ar-Rahman; 66)


"Di dalam syurga itu  ada bidadari-bidadari yang baik-baik lagi cantik-cantik." (Surah Ar-Rahman; 70)


"Sesungguhnya orang-orang yang beriman dan mengerjakan amal-amal soleh, bagi  mereka syurga-syurga yang penuh  kenikmatan..." (Surah Luqman, 8)


"Dan dimasukkanlah orang-orang yang beriman dan beramal soleh ke dalam syurga yang mengalir di  bawahnya sungai-sungai, mereka kekal di dalamnya dengan izin Tuhan mereka.  Ucapan penghormatan mereka dalam syurga itu ialah "salam"" (Surah Ibrahim; 23)


"Mereka tidak mendengar perkataan yang tak berguna di dalam syurga, kecuali ucapan  salam. Bagi mereka rezeki di syurga itu tiap-tiap pagi dan petang." (Surah Maryam; 62)


"Berlumba-lumbalah kamu kepada (mendapatkan) ampunan dari Tuhanmu dan syurga yang luasnya  seluas langit dan bumi, yang disediakan bagi orang-orang yang beriman kepada  Allah dan rasul-rasul-Nya. Itulah kurnia Allah, diberikan-Nya kepada siapa yang  dikehendaki-Nya. Dan Allah mempunyai kurnia yang besar." (Surah Al-Hadid; 21)


"Di syurga itu  mereka memperoleh buah-buahan dan memperoleh apa yang mereka minta." (Surah Yasin; 57)


"(Bagi mereka) syurga 'Adn mereka masuk ke dalamnya, di dalamnya mereka  diberi perhiasan dengan gelang-gelang dari emas, dan dengan mutiara, dan pakaian  mereka didalamnya adalah sutera." (Surah Fathir; 33)


"....Syurga itu  sebaik-baik tempat menetap dan tempat kediaman." (Surah Al-Furqan; 76)


Ya Allah, anugerahkanlah kepada kami syurga-Mu dengan rahmat dan kasih sayang-Mu. Jadikanlah kami hamba-Mu yang beriman dan bertaqwa. Kami teringin menemui-Mu di syurga. Ampunkahlah dosa-dosa kami.

Jazz Lovers

Saat ini saya akan membahas mengenai musik jazz.. Menurut saya, jazz merupakan aliran musik yang sangat menarik..

Jazz merupakan aliran musik yang berasal dari Amerika.. Musik jazz banyak menggunakan alat musik piano, gitar, saksofon, terompet, dan trombon.. Ada juga yang menggunakan biola dan drum..

Di Indonesia, banyak musisi-musisi jazz yang cukup terkenal... Di antaranya : Tompi, Syaharani, Indra Lesmana, Barry Likumahua, Ireng Maulana, Bubi Chen, RAN, Marcell, Elfa Secoria(Alm), Glenn Fredly, dan masih banyak lagi..

Di antara semua musisi jazz di Indonesia, yang membuat saya tertarik adalah Bubi Chen... Beliau adalah seorang pemusik jazz Indonesia.. Beliau merupakan seorang pianis jazz..

Beliau merupakan salah satu pianis terbaik di Indonesia, bahkan di dunia.. Banyak orang yang mengenal beliau karena kecintaanya pada musik jazz.. Beliau menekuni musik jazz hingga beliau benar-benar mahir dalam bermain musik jazz..

Walaupun sekarang beliau sudah tidak muda lagi, beliau masih tetap menekuni musik jazz, dan masih produktif dalam menerbitkan album-albumnya, juga masih bergabung dalam show-show musik jazz di Indonesia..

Untuk mengembangkan musik jazz di Indonesia, Bubi Chen sudah melakukan hal yang sangat baik.. Beliau sangat berperan dalam perkembangan musik jazz di Indonesia..

Sebagai generasi muda, kita harus bisa meneladani Bubi Chen yang tetap produktif dalam bermusik, walaupun usianya sudah tidak muda lagi... Semangat dan kecintaan Bubi Chen pada musik jazz sangat luar biasa..

Kiss The Rain

Saya sangat suka mendengarkan lagu-lagu instrument piano.. Banyak lagu-lagu yang dibuat instrument, terutama instrument piano yang bisa membuat suasana hati menjadi nyaman.. Misalnya saja lagu-lagu dari Yiruma..

Permainan piano Yiruma sangat menarik.. Lagu-lagu yang dimainkan juga sangat menyentuh.. Tiap alunan nada yang dimainkan oleh Yiruma benar-benar dapat dinikmati.. Saya sering melihat video permainan piano Yiruma, dan mencoba mempelajarinya.. Lagu "Kiss The Rain" dari Yiruma membuat saya seringkali menangis saat mendengarkan alunan lagu tersebut.. Menurut saya, lirik dari lagu tersebut juga sangat bagus..

Kiss The Rain

I often close my eyes
And I can see you smile
You reach out for my hand
And I'm woken from my dream
Although your heart is mine
It's hollow inside
I never had your love
And I never will

And every night
I lie awake
Thinking maybe you love me
Like I've always loved you
But how can you love me
Like I loved you when
You can't even look me straight in my eyes

I've never felt this way
To be so in love
To have someone there
Yet feel so alone
Aren't you supposed to be
The one to wipe my tears
The on to say that you would never leave

The waters calm and still
My reflection is there
I see you holding me
But then you disappear
All that is left of you
Is a memory
On that only, exists in my dreams

I don't know what hurts you
But I can feel it too
And it just hurts so much
To know that I can't do a thing
And deep down in my heart
Somehow I just know
That no matter what
I'll always love you

Selain lagu "Kiss The Rain", saya juga menyukai lagu "River Flows In You" dari Yiruma.. Lagu itu juga nggak kalah keren... d^-^b

Lagu-lagu Yiruma bagus deh pokoknya... Keren...^^

New

hari ni puas hati laaa.. dari kui 10 lebey till 7pm berjalan kuar carik barang2 umah kt giant n singgah kdai aqaurium yg paling besar kt area BP (batu pahat) .....niat dihati pas carik barang2 umah nak beli 2 guppy jantan n 2 guppy betina ... bila da sampai kdai len lak dibeli .... ;)  pusing punya pusing ak terjmpa kayu yg cantik design dia ... teros nk beliiii....arghhhhhh .... pas 2 nmpak lak lampu aquarium color pink....cantik lak klo ltak lam aquarium...tergugat nafsu nk decorate aquarium...teros beliiiii ......aiyakkkk.....b4 this kosong ja....ckang da penoh da....;) epppy2 .... aquaruim pon da cantik daa..... heee~

: my station :

: pink submerisible lamp :

: new kayu :

: 

: my luvly shubunkin :

Sejarah dan hukum sambut Maulidurrasul s.a.w

MAULID berasal dari perkataan Arab yang bermakna melahirkan terutamanya merujuk kepada kelahiran bayi.

Namun dalam konteks hari ini ia dirujuk khusus kepada hari keputeraan Nabi Muhammad iaitu pada 12 Rabiulawal setiap tahun.

Sejarah ringkas

Sambutan Maulidur Rasul telah diasaskan oleh kerajaan Fatimiah di Mesir yang meraikannya secara besar-besaran.

Mereka bukan sahaja meraikan hari keputeraan Rasulullah, tetapi juga yang membabitkan ahli keluarga baginda Zainab, Hassan, Hussain.

Walau bagaimanapun, semua perayaan ini telah dihentikan pada tahun 488 H atas perintah Perdana Menteri, al-Afdal Shahindah yang berpegang kuat pada sunnah seperti tercatit di dalam buku Al-Kamel, karangan Ibnu Al-Atheer.

Ia berhenti diraikan sehingga Al-Ma’moon Al-Bataa’ni memegang kuasa kerajaan.

Apabila kerajaan al-Ayubbiyyah merampas kuasa, semua perayaan itu sekali lagi dihentikan.

Namun begitu, masyarakat tetap merayakannya di kalangan keluarga mereka secara tertutup.

Pada Abad ke-7, Putera Muzafar Al-Deen Abi Sa’d Kawakbri Ibn Zein Ed-Deen ‘Ali- Ibn Tabakatikin telah mewartakan perayaan Maulid Nabi di Bandar Irbil.

Muzafar yang merupakan seorang sunni mengambil berat akan perayaan Maulidur Rasul hingga memerintahkan persediaan seperti mendirikan khemah, menghias khemah dan pelbagai lagi dilaksanakan seawal dan sebaik mungkin.

Setiap kali selepas solat Asar, Muzafar akan menyaksikan perayaan itu dalam khemah yang telah didirikan.

Hujah membolehkan Maulidur Rasul

Antara ulama yang menyokong Maulidur Rasul terutamanya Imam Jalaluddin Sayuti dan Sheikh Dr. Yusuf Al Qaradawi.

Imam Jalaluddin Sayuti:

“Ibadat macam itu adalah bidaah hasanah (bidaah baik) yang diberi pahala mengerjakannya kerana dalam amal ibadat itu terdapat suasana membesarkan Nabi, melahirkan kesukaan dan kegembiraan atas lahirnya Nabi Muhammad SAW yang mulia”.

Sheikh Dr. Yusuf al Qaradawi: “Semua telah sedia maklum bahawa sahabat-sahabat Rasulullah tidak merayakan hari kelahiran Rasulullah.

“Ini kerana mereka telah menyaksikan secara langsung setiap gerak-geri Rasulullah dan seterusnya ingatan terhadap Rasulullah itu kekal di dalam hati dan juga ingatan.

“Sa’d bin Abi Waqas mengatakan bahawa beliau begitu ghairah untuk menceritakan mengenai Rasulullah kepada kanak-kanak sama seperti mana keghairahan mereka mendidik anak-anak itu mengenai al-Quran.

“Oleh kerana mereka sering menceritakan sejarah perjuangan Rasulullah, maka tidak perlulah merayakan seperti mana dirayakan Maulid Rasul kini.

“Bagaimanapun, generasi terkemudian telah mula melupakan kegemilangan sejarah Islam dan kesannya.

“Dengan itu, perayaan Maulid Rasul diadakan bertujuan mengingati sejarah Islam ketika Rasulullah masih hidup. Sebenarnya, meraikan hari kelahiran nabi bermakna meraikan hari kelahiran Islam.

“Maka dibolehkan meraikan Maulid nabi ini dengan syarat tidak dicampur-adukkan dengan perkara-perkara bidaah. Tetapi sebaliknya diisi dengan ceramah yang menceritakan akan sejarah Islam”.

 

Antara dalil bagi yang membolehkan Maulid ini:

1) Allah berfirman yang bermaksud: Maka orang yang beriman kepadanya (Muhammad saw) memuliakannya, menolongnya dan mengikuti cahaya yang terang yang diturunkan kepadanya (al-Quran) mereka itulah yang beruntung. (al-A’raf: 157)

Keterangan: Tujuan maulud adalah untuk memuliakan Nabi Muhammad. Maka perayaan maulud masuk dalam umum ayat tersebut.

2) Firman Allah yang bermaksud: Dan ingatkanlah mereka dengan hari-hari Allah. (Ibrahim: 5)

Keterangan: Al-Baihaqi di dalam Syakbu al-Iman daripada Ubai bin Kaab daripada Nabi SAW, sesungguhnya baginda menafsirkan ‘hari-hari Allah’ adalah hari-hari nikmat dan kurniaan Allah. Al-Alusi dalam Ruh al-Ma’ani menjelaskan lagi dengan katanya “kelahiran Nabi merupakan nikmat yang paling besar”.

3) Bahawasanya Nabi Muhammad datang ke Madinah maka beliau mendapati orang Yahudi berpuasa pada hari Asyura iaitu hari 10 Muharam, maka Nabi bertanya kepada orang yahudi itu: “Kenapa kamu berpuasa pada hari Asyura?” Jawab mereka: “Ini adalah hari peringatan, pada hari itu dikaramkan Firaun dan pada hari itu Musa dibebaskan, kami berpuasa kerana bersyukur kepada Tuhan”.

Maka Nabi berkata: “Kami lebih patut menghormati Musa berbanding kamu”. (riwayat Bukhari dan Muslim)

Ibnu Hajar Al-Asqalani pengarang Syarah Bukhari yang bernama Fathul Bari berkata, bahawa dari hadis itu dapat dipetik hukum: Umat Islam dibolehkan bahkan dianjur memperingati hari-hari bersejarah, hari-hari yang dianggap besar umpamanya hari-hari Maulud, Israk dan Mikraj dan lain-lain.

- Nabi pun memperingati hari karamnya Firaun dan bebasnya Musa dengan melakukan puasa asyura sebagai bersyukur atas hapusnya yang batil dan tegaknya yang hak.

diambil dari ::  http://feryco. com/sejarah-dan-hukum-sambut-maulidurrasul-s-a-w